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James McKean

James McKean Violinmaker
About
The Studio
Instruments
Press
Musicians
Contact
Home
Carving a cello scroll

Carving a cello scroll

Glue sealing the blocks on the rib structure

Glue sealing the blocks on the rib structure

Using a gouge to rough arch a cello back.

Using a gouge to rough arch a cello back.

Rough arch of a maple back, planed but not yet scraped.

Rough arch of a maple back, planed but not yet scraped.

A set of five brass thumbplanes.

A set of five brass thumbplanes.

Using a brass thumbplane to finish the inside graduation of the cello back.

Using a brass thumbplane to finish the inside graduation of the cello back.

Finished cello back before gluing it on the ribs.

Finished cello back before gluing it on the ribs.

Inserting a piece of purfling in the groove on the back corner.

Inserting a piece of purfling in the groove on the back corner.

Using a fine gouge to cut the channel over the purfling on the cello back.

Using a fine gouge to cut the channel over the purfling on the cello back.

Using a knife to cut the chamfer on the button of a viola.

Using a knife to cut the chamfer on the button of a viola.

The upper and lower eyes bored for the f-holes on a cello.

The upper and lower eyes bored for the f-holes on a cello.

The finished f-holes on a cello.

The finished f-holes on a cello.

Using a small brass thumbplane to scoop the wing of a cello f-hole.

Using a small brass thumbplane to scoop the wing of a cello f-hole.

F-holes on a cello finished in the white.

F-holes on a cello finished in the white.

Two cello scrolls, the one on the left finished, the other still rough.

Two cello scrolls, the one on the left finished, the other still rough.

Using a steel scraper to smooth the comb on the back of a viola scroll.

Using a steel scraper to smooth the comb on the back of a viola scroll.

Back upper corner, white cello.

Back upper corner, white cello.

Black and white patterns created by two cellos, contrasting the figure in the backs.

Black and white patterns created by two cellos, contrasting the figure in the backs.

A violin back in raking light, unvarnished, showing the arch.

A violin back in raking light, unvarnished, showing the arch.

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Carving a cello scroll
Glue sealing the blocks on the rib structure
Using a gouge to rough arch a cello back.
Rough arch of a maple back, planed but not yet scraped.
A set of five brass thumbplanes.
Using a brass thumbplane to finish the inside graduation of the cello back.
Finished cello back before gluing it on the ribs.
Inserting a piece of purfling in the groove on the back corner.
Using a fine gouge to cut the channel over the purfling on the cello back.
Using a knife to cut the chamfer on the button of a viola.
The upper and lower eyes bored for the f-holes on a cello.
The finished f-holes on a cello.
Using a small brass thumbplane to scoop the wing of a cello f-hole.
F-holes on a cello finished in the white.
Two cello scrolls, the one on the left finished, the other still rough.
Using a steel scraper to smooth the comb on the back of a viola scroll.
Back upper corner, white cello.
Black and white patterns created by two cellos, contrasting the figure in the backs.
A violin back in raking light, unvarnished, showing the arch.